- ii) Dress: The close relationship of the Government of Vijayanagar with that of Golconda during the early years of the reign of Ibrahim Qutb Shah led to the dovetailing of cultures and incidentally to the similarity in apparel. The “Kuleh” (pers, kulah, cap) and the Cabaya (Arab, Qaba, long coat) became parts of the dress of the elite, both Hindu and Muslim. Among women the sari of twelve cubits covering a bodice with sleeves coming up to the elbows, was the rule, while the heads of women were usually covered when they went out. Some Hindu women wore only saris without a bodice, others a short bodice covering only the breasts while some wore a bodice which might be long enough to cover the navel. Among the more affluent classes of society the sari as well as the bodice had borders of varying width of gold and silver embroidery. Among the Muslim women the alternative dress was the dopatta of about four and half yards of cloth, one end of which was tucked on to the paijama or trousers, which were embroidered and kept in check by girdles with embroidered ends.
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Sunday, March 13, 2022
Write about the socio, economic and religious conditions during Qutb Shahi period
Write about the socio, economic and religious conditions during Qutb Shahi period
As usual our Indo-Persian chronicles deal more with life at the court than with the life of the common man, while on the other hand the description of the people, as given by European travellers and merchants, gives us a fair insight into the life of the generality. There may be stray reference to the social set-up in the Indo-Persian chronicles, but that is always by the way and sometimes even in a sneering tone. The reason why European travellers take pains to delineate the ways of the people, Hindu and Muslim, is that everything seems so totally strange to them. It is rather quaint that as Europeans were familiar with Spanish muslims whom they called Moors, so the European travellers call the ruling aristocracy in the Sultanates of the Deccan, “Moors” in contrast with the name gentile or “Gentoos” given to the Hindus.
(i) Music and Dance: The gradual laxity in the moral of the court and people naturally led to the increase in the number of public women in the capital. Evidently they had to be registered and licensed, and Tavernier notes that the names of as many as twenty thousand were entered in the Daroghas book. Thevenot says that no stigma was attached to those who frequented the rooms of these whores, while Tavernier is more romantic in his description and says. In the cool of the evening they stand by their doorways, and when night comes they light a candle or a lamp for a signal. In rather a lell-tale sentence Methwold remarks that “all meat is common to them and they themselves are common to all”! Methwold, enchanted by the dances that he saw (they must have been of the Kathakali and the Kuchipudi variety) says that they were admirable to behold and impossible to express in words; but avers that music and dance had become the monopoly of the prostitutes.57 Evidently the best among the dancers had to dance before the king or the provincial governors, as the case might be, at least once a year. They were also invited to sing or dance not merely at social functions such as wedding or circumcision but also when large vessels arrived at a port, and even at the celebrations of religious festivals such as the month long celebrations of the prophets birthday.
There were also the Devadasis attached to Hindu temples whose profession was to dance before the idols. To the foreigners these temple dancers were not greatly different from the public women. One of them says that there were cases when a Owan’s children did not survive, she vowed that if the new born girl were to live she would make her a prostitute its meaning that she would dedicate her to the life of a devadasi.
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